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      <image:title>The Unit - Every Day</image:title>
      <image:caption>What is exciting for me, was seeing how many of my images shot on set were utilized in every aspect of the marketing of Every Day. For example, this became the new cover of the novel the film is based on when it was reprinted. It was also used as a poster and each image has been reproduced on social media. Want some trivia? In the upper left corner, in the image of Chemistry Class, you can see my daughter Sadie’s head behind Angourie Rice. Sadie was an extra on set during film making!</image:caption>
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      <image:title>The Unit - The Kennedys</image:title>
      <image:caption>There are moments when I am shooting that I am terrified. The fear is not over personal safety but rather of disturbing what is going on. It is difficult to describe but sometimes a scene is so intensely personal and the moment so real that I am terrified that my shutter click will escape the blimp and disturb that connection the actors are sharing. It is agonizing for me, the truth be told. Others in my small brotherhood seem to shrug it off but I struggle. Despite all this inner battle, I often do shoot it or sometimes I decide that the better course of action is to watch, decide when the unfolding scene is strongest and then ask permission of the actors, director and D.O.P for a take of my own. In this scene from The Kennedys, I chose the latter. Barry Pepper and Tom Wilkenson, gracious and generous with me, agreed to give me the moments when Bobby apologizes to Joe over the death of JFK, something he feels responsible for and I made one of my favourite images of the show.</image:caption>
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      <image:title>The Unit - Cheaper By The Dozen 2</image:title>
      <image:caption>The hottest summer on record took place when we were filming Cheaper By The Dozen 2. The outdoor cottage scenes were all shot in Burleigh's Falls, Ontario and the crew swam every day at lunch time to stay cool! Steve Martin is incredibly funny but also a pro that I never heard complain, even when having to wear a full neoprene wet suit out of water. Trivia fans, that is a young Taylor Lautner in the boat, long before the Twilight films were even thought about!</image:caption>
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      <image:caption>Splatalot Season 2</image:caption>
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      <image:caption>102721_075 -- TRUMP UNAUTHORIZED - "Trump Unauthorized," ABC's much-anticipated dramatization about legendary real estate developer Donald Trump, will air TUESDAY, MAY 24 (9:00-11:00 p.m., ET) on the ABC Television Network. The telefilm, starring Justin Louis ("Missing," "Hidden Hills") as Trump, is based on Gwenda Blair's acclaimed biographies, Donald Trump: Master Apprentice and The Trumps: Three Generations that Built an Empire, as well as other sources. (ABC/PETER STRANKS) JUSTIN LOUIS</image:caption>
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      <image:title>The Unit - A Raisin In The Sun</image:title>
      <image:caption>I was able to work with Phylicia Rashd and Sean Combs (PDiddy) on this remake of the classic Sidney Poitier film. It was a very tiny studio set, which emphasized the claustrophobic surroundings that the characters were living in during the performance. No doubt this helped as a number of them were method actors. It was very challenging for stills however, as with two camera crews and a sound department, I struggled to maintain the invisible presence I normally strive for. This image, used as a wallpaper download to promote the film was shot on one of the location days, making it much easier to get one of those decisive moments that tells the story.</image:caption>
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      <image:title>The Unit - Raisin In The Sun</image:title>
      <image:caption>A poignant moment at the end of the film... a peace offering between mother and son. The key with this sort of image is to let the actors do what they do and not over direct them. Once they understand what you are looking for, step back quietly and shoot. The look in Phylicia Rashad's eyes to Sean Combs says it all.</image:caption>
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      <image:title>The Unit - The Path to 9/11</image:title>
      <image:caption>Harvey Keitel portraying John O'Neill looks up as he is investigating a suspected terrorist lair in The Path to 9/11, an ABC mini series about the events leading up to September 11th. I so wanted this image! Visualized in my mind, I knew the steel beam must not block his eye but that it would lead the viewer right into Harvey's intense stare. The bird's eye point of view puts the viewer in the position of the quarry hiding from the law.</image:caption>
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      <image:title>The Unit</image:title>
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      <image:title>The Unit</image:title>
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      <image:title>The Unit</image:title>
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      <image:title>The Unit</image:title>
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      <image:title>The Unit</image:title>
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      <image:title>The Unit - 1237_15</image:title>
      <image:caption>1237_15 BRIAN'S SONG - (ABC/Peter Stranks) PAULA CALE, ELISE NEAL</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53aa30e2e4b0cb8f6cc49c40/1550800355257-0IZBTAJ16KBZBLYBCUP3/Brians+Song_Dying_Wife+Behind.jpg</image:loc>
      <image:title>The Unit - 1237_36_15</image:title>
      <image:caption>1237_36_15 - BRIAN'S SONG - UNIT (ABC/PETER STRANKS) PAULA CALE, SEAN MAHER</image:caption>
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      <image:title>The Unit - 1237_3_34</image:title>
      <image:caption>1237_3_34 BRIAN'S SONG - (ABC/Peter Stranks) MEKHI PHIFFER</image:caption>
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      <image:title>The Unit</image:title>
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      <image:title>The Unit</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53aa30e2e4b0cb8f6cc49c40/1550801932847-ERKGBJVUSLUZ2Y7X9XPR/Thieves_John+Stamos.jpg</image:loc>
      <image:title>The Unit - 1207_5_23A</image:title>
      <image:caption>1207_5_23A THIEVES - Meet Johnny (John Stamos) and Rita (Melissa George). They’re high-class thieves. Lightning fast, smooth as silk, Johnny and Rita are about to pull off the biggest diamond heist of all time… If only they hadn’t locked the keys inside the getaway car. Caught red-handed by the FBI, Johnny and Rita can avoid the pen by recovering "missing" government property. It’s a lifetime sentence to avoid a lifetime sentence, and the only thing hotter than the merchandise is the sexual tension between this dynamic duo. "Thieves" will air on Fridays at 9:00 p.m. on the ABC Television Network.(ABC/Peter Stranks) MELISSA GEORGE, JOHN STAMOS</image:caption>
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      <image:title>The Unit</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53aa30e2e4b0cb8f6cc49c40/1538361953781-FX9GI7ARWR8N2QHS96V9/David+Strathairn.jpg</image:loc>
      <image:title>The Unit - 64445_213</image:title>
      <image:caption>64445 (7/11/00) - THE MIRACLE WORKER -- Hallie Kate Eisenberg and Alison Elliott star as the legendary Helen Keller and her teacher, Annie Sullivan, in a re-telling of the touching, timeless story of triumph born of tragedy, "The Miracle Worker." In this compelling story of unconditional love and perseverance, Annie’s determination leads Helen to a climactic breakthrough allowing her to discover the world through the eyes and ears of others. Growing into one of the most extraordinary women of any time, Helen served as an international leader for the disabled, with the assistance of the lifelong friendship and support of her teacher and mentor, Annie Sullivan, whose groundbreaking techniques for teaching deaf and blind people are still being used today. "The Miracle Worker" airs as a presentation of "The Wonderful World of Disney" on SUNDAY, NOVEMBER 12 (7:00 - 9:00 p.m., ET) on the ABC Television Network. DAVID STRATHAIRN Photographer: PETER STRANKS</image:caption>
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      <image:title>The Unit - The Miracle Worker</image:title>
      <image:caption>This version of an American classic was shot in 2000. I shared the duties of Stills Photographer with a great shooter, Michael Courtney. This was one of my images and I include it because it represents a classic image for publicity. At the reins (pun intended) we have the incomparable David Strathairn, his wife played by Kate Greenhouse and an excellent young actress in Hallie Kate Eisenberg as Helen Keller.</image:caption>
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      <image:title>The Unit - Street Time</image:title>
      <image:caption>Street Time was a gritty series featuring Rob Morrow, Scott Cohen and Erika Alexander. The cameraman for the pilot was Jonathan Freeman with Marc Levin directing. It was beyond a doubt the best pilot I have ever seen. The feel was that of a documentary, a specialty of Marc's and in Jonathan's raw lighting, powerful.</image:caption>
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      <image:caption>IslBG</image:caption>
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      <image:title>The Unit</image:title>
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  </url>
  <url>
    <loc>https://www.stranks.com/the-art-department</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2023-04-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53aa30e2e4b0cb8f6cc49c40/1571580295105-4SLQKPYIKSGFKP2JRMXQ/DrewChairMacys_Web.jpg</image:loc>
      <image:title>The Art Department</image:title>
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      <image:title>The Art Department - The Lake</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53aa30e2e4b0cb8f6cc49c40/1578081001179-6Y8TWH464U3LVAKHCN49/WhatWeDoInTheShadows_Blk4D6_PS_3125_Web.jpg</image:loc>
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      <image:title>The Art Department</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53aa30e2e4b0cb8f6cc49c40/1604357322665-7DTR9VZNY8WDWZMFLXSM/Spinning+Out+Translite+for+Web.jpg</image:loc>
      <image:title>The Art Department</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53aa30e2e4b0cb8f6cc49c40/1403757611095-JG1H4R3SBFH49LZD747Y/DrewChairMacys.jpg</image:loc>
      <image:title>The Art Department - Little Edie Poses For Macy's</image:title>
      <image:caption>In the film Grey Gardens, Drew Barrymore portrays Edith Bouvier Beale. In one scene she poses as a model for Macy's, a move that outrages her father. I had to photograph that model shoot and realizing that she was a method actor, I asked "Little Edie" what was the particular pose that so angered her father. It was the right thing to do as the images were spectacular and it cemented an opportunity to work with her throughout the rest of the film.</image:caption>
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      <image:title>The Art Department - UT0082517</image:title>
      <image:caption>U.S. President George W. Bush waits for his father, the 41st President, George Bush after playing a round at the Cape Arundel Golf Club in Maine July 6, 2001. President George W. Bush is celebrating his 55th birthday today. REUTERS/Kevin Lamarque --- Image by © Reuters/CORBIS</image:caption>
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      <image:caption>IslBG</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53aa30e2e4b0cb8f6cc49c40/1403759968548-8KTLJ8V1JDHSVUMVFQUW/BobbyKennedysMagsButtons_Web.jpg</image:loc>
      <image:title>The Art Department - Barry as Bobby</image:title>
      <image:caption>The joy of shooting for the art department lies in being part of the creative process. The Kennedys offered this opportunity daily. Working closely with Barry Pepper, the brilliant actor portraying Bobby Kennedy, was both demanding and creatively rewarding. A consummate professional, he was never content to accept 95%. So when it came to recreating original material with his likeness, including a portrait by Karsh, my lighting and the pose had to be exact. The lighting proved very interesting to mimic as Karsh used tungsten hot lights and I use strobes, both of which exhibit very different qualities. I was pleased to nail it. As to the pose, Barry was his own toughest critic but having seen the originals, I can assure you that he got to his 100%.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53aa30e2e4b0cb8f6cc49c40/1403757547039-IHLQ6GBD0EJZ6RWRHFJV/Final+GG+POSTER.jpg</image:loc>
      <image:title>The Art Department - Almost The Perfect Poster</image:title>
      <image:caption>Drew Barrymore portraying Little Edie in the Poster for Grey Gardens. We attempted to copy the original as closely as possible from point of view, perspective, lighting and so on, only to be told that the pose would have to differ due to concerns over copyright. Regardless, it was what Drew brought to the shoot tirelessly every day that really sold the look.</image:caption>
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      <image:title>The Art Department</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53aa30e2e4b0cb8f6cc49c40/1403759004984-LQANLYMKG28P2UQNWQ4U/LAConfidential_Web.jpg</image:loc>
      <image:title>The Art Department - Mrs. B. is Dead</image:title>
      <image:caption>Crime scene photos always present challenges but this one involved keeping the blood on our prop carpet and off the real antique underneath it that was absolutely priceless and irreplaceable. Shot for the television pilot L.A. Confidential</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53aa30e2e4b0cb8f6cc49c40/1406166875936-2TTEZQAXQE22CHN6FV0L/Godsend_Web.jpg</image:loc>
      <image:title>The Art Department - Art Department in Action - Godsend</image:title>
      <image:caption>The image on the left shows the Art Department in one of their many roles, in this case providing background images within the film. Many thanks to Kerry Hayes, Stills Photographer and Lion's Gate Films for providing this image. (Kerry Hayes © 2003) The photographs on the wall are all mine and if you look at the piece hanging in the upper left you can make out that it is the image shown at the right. The film stars Rebecca Romijn and she plays a photographer in the film. The brilliant production designer, Arv Grewal and I proposed to Director Nick Hamm that the images used as her work would be mine and many images, like this one came directly from my portfolio. A number though were shot with the young boy in the film, Cameron Bright and those as much as possible would make use of reflections. I suggested that the reflection of Cameron in shiny surfaces would emphasize the notion of cloning, the sinister subject of the film. The images may have been of the same person but I shot them so that they seemed iconic and were metaphors celebrating that which is universal in all children.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.stranks.com/the-gallery</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2023-10-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53aa30e2e4b0cb8f6cc49c40/1697632563089-SUV16D5798TN252V2V23/The+Dead+Don%27t+Hurt_Poster.jpg</image:loc>
      <image:title>The Gallery/Key Art - The Dead Don't Hurt_Poster.jpg</image:title>
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      <image:title>The Gallery/Key Art - The Dead Don't Hurt_Poster.jpg</image:title>
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      <image:title>The Gallery/Key Art</image:title>
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      <image:caption>Carter - Season 2 - Gallery, Pictured: Jerry O'Connell</image:caption>
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      <image:title>The Gallery/Key Art - Every Day</image:title>
      <image:caption>Angourie Rice and Owen Teague were so generous with me and always willing to make images for the inspiring teen romance, Every Day. Based on the New York Times best seller of the same name, written by David Levithan, this feature directed by Michael Sucsy tells the story of tells the story of Rhiannon, a 16-year old girl who falls in love with a mysterious soul named "A" who inhabits a different body every day. The result is an amazing tale that breaks down barriers of gender, ethnicity and champions empathy and tolerance.</image:caption>
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      <image:title>The Gallery/Key Art - Grey Gardens</image:title>
      <image:caption>Based on the lives that inspired the Maysles Brothers’ classic documentary, this HBO Films drama tells the story of “Big Edie” Beale (Jessica Lange) and her daughter “Little Edie” (Drew Barrymore), who forged a unique bond while living in a ramshackle East Hampton mansion. Every scene in the film was visually rich and beautifully lit by cinematographer Mike Eley. Consequently, strong images like this presented themselves often and owing to the great relationship I shared with Mike, our Director Michael Sucsy and even the actors themselves, I was able to ask for and be given a few moments to make images like this one, that ultimately were used for billboards and advertising.</image:caption>
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      <image:title>The Gallery/Key Art - Dead Before Dawn</image:title>
      <image:caption>Half Zombie, Half Demon, Totally Zemon! What's not to love? On one of the hottest days of the summer, in an abandoned car dealership with one electrical outlet, I managed to light an entire gallery shoot. It was technically challenging but worth it as I got to work with an all time favorite amazing person, Christopher Lloyd and new fave from Diary of a Wimpy Kid, Devon Bostick.</image:caption>
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      <image:title>The Gallery/Key Art - American Pie "The Naked Mile"</image:title>
      <image:caption>Eugene Levy is such a treat to work with. I had the opportunity to do so, first on Cheaper By The Dozen 2 and then most recently on American Pie 5 "The Naked Mile" and American Pie 6 "The Beta House." A warm man off camera, he brings the scene alive when on camera. As you watch him work the scene, each take evolves into something tighter and funnier. He is a pro and an excellent comedian.</image:caption>
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      <image:title>The Gallery/Key Art - Maggie Q is Nikita</image:title>
      <image:caption>Between Season 3 and Season 4, Nikita goes rogue and the producers wanted an image that might be used as a stylized "Wanted" poster to promote the next season. This was my favorite of the many images we took although not the one used. For me it captures the out of control toughness that her character embodies at this point in the series yet allows her inherent, intense  beauty to peek through that hair.</image:caption>
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      <image:title>The Gallery/Key Art - Little Mosque On The Praire</image:title>
      <image:caption>Little Mosque on the Prairie is unabashedly Canadian, witty, brilliantly acted and one of the best shows I have worked on. The cast, crew and producers are like family and I was always happy when I got to work on "Mosque." This gallery shoot introduced a new character to the show, Reverend Thorne, the new Anglican minister. He is portrayed by Brandon Firla and if you thought John Cleese was funny in Fawlty Towers you haven't seen anything yet!</image:caption>
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      <image:title>The Gallery/Key Art - Cybergeddon</image:title>
      <image:caption>Cyberwarfare, cybercrime, and cyberterrorism are the tools enemies are turning to in order to attack the "mind" of the United States. Framed for a cyber-crime she didn't commit, FBI Special Agent Chloe Jocelyn, played by Missy Peregrym, is forced to go on the run in order to prove her innocence. We shot the gallery on a clean white seamless in an old factory in Hamilton, Ontario but you would never know it after the digital background has been added. All the cast were great fun on the shoot and did a fabulous job but Missy stood out not just as a skillful actor but as a strikingly beautiful person.</image:caption>
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      <image:title>The Gallery/Key Art - CRIMES.D10.023</image:title>
      <image:caption>--CRIMES OF FASHION--Kaley Cuoco and Dominic Chianese star in the ABC Family original movie CRIMES OF FASHION premiering Sunday, July 25 (8:00 – 10:00 PM ET/PT). (ABC FAMILY/PETER STRANKS) DOMINIC CHIANESE, KALEY CUOCO</image:caption>
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      <image:title>The Gallery/Key Art - Til Death Do Us Part</image:title>
      <image:caption>The one and only John Waters everyone! A very funny, quirky character, Waters also wrote and directed the original Hairspray. The premise of this show however was to look at all the different instances where the bride or groom tried to kill their partner on the way to the alter. Seriously. They chose the perfect host in John Waters.</image:caption>
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      <image:title>The Gallery/Key Art - Christmas Parade</image:title>
      <image:caption>Program Title: Christmas Parade Network: Hallmark Channel</image:caption>
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      <image:title>The Gallery/Key Art - Crime Spree</image:title>
      <image:caption>Crime Spree had a dynamite cast but was one of the most challenging films to work on as the actors had extremely unique and demanding personalities. This image features Renaud, a French equivalent of Bob Dylan and Gérard Depardieu. The film also starred Harvey Keitel and Johnny Halliday, the french version of Elvis. I had to set up galleries whenever the location afforded an opportunity as one never new whether or not another chance might come up. This was one of the few films that I was also able to work with my wife; she designed all the hair styles in the film!</image:caption>
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      <image:title>The Gallery/Key Art - The Dealership</image:title>
      <image:caption>Tricia Helfer starred in the CanWest pilot "The Dealership." She was incredibly generous with her time and as interested in getting a great image as I was. We shot this is a real dealership although they didn't normally sell Aston Martin cars, like the one Tricia is sitting on here. We shot hundreds of frames but this one, both sexy and confident, seemed to capture the spirit of the show, where she takes over the dealership from her father and attempts to make a go of one of the toughest business' around.</image:caption>
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      <image:title>The Gallery/Key Art - Every Day</image:title>
      <image:caption>Angourie Rice and Owen Teague were so generous with me and always willing to make images for the inspiring teen romance, Every Day. Based on the New York Times best seller of the same name, written by David Levithan, this feature directed by Michael Sucsy tells the story of tells the story of Rhiannon, a 16-year old girl who falls in love with a mysterious soul named "A" who inhabits a different body every day. The result is an amazing tale that breaks down barriers of gender, ethnicity and champions empathy and tolerance.</image:caption>
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      <image:caption>IslBG</image:caption>
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      <image:title>The Gallery/Key Art</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53aa30e2e4b0cb8f6cc49c40/1539147294303-ULZMHAXLXYENAE2UHAG1/Regenesis3_0356.jpg</image:loc>
      <image:title>The Gallery/Key Art</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53aa30e2e4b0cb8f6cc49c40/1543276502785-VE183D8GEVL12Y4YJJG4/BillyRayMiley.jpg</image:loc>
      <image:title>The Gallery/Key Art</image:title>
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  </url>
  <url>
    <loc>https://www.stranks.com/self-expression</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-11-30</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53aa30e2e4b0cb8f6cc49c40/1571635459245-BBVY8IZ836N3V6BUJJEI/SelfPortrait_Beach.jpg</image:loc>
      <image:title>Self Expression</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53aa30e2e4b0cb8f6cc49c40/1638287923552-LV8TWWEM4LAS591C1YYV/StoneToSky_2543_Web.jpg</image:loc>
      <image:title>Self Expression</image:title>
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      <image:title>Self Expression</image:title>
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      <image:title>Self Expression - Peter Stranks Behind the Scenes Portrait Session with Travis Shilling</image:title>
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      <image:title>Self Expression</image:title>
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      <image:title>Self Expression</image:title>
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      <image:title>Self Expression</image:title>
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      <image:title>Self Expression</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53aa30e2e4b0cb8f6cc49c40/1610772687846-C1MEBF95PY46E698XJDZ/Kid+running+through+graveyard_Web.jpg</image:loc>
      <image:title>Self Expression</image:title>
      <image:caption>IslBG</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53aa30e2e4b0cb8f6cc49c40/1610772318174-K1WIYM9GUD9AKV25TWNZ/FallFair2008_Web.jpg</image:loc>
      <image:title>Self Expression</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53aa30e2e4b0cb8f6cc49c40/1404877714714-MNL57QBQRWZFJUJYLTVZ/Creation+Final+Web.jpg</image:loc>
      <image:title>Self Expression - Creation</image:title>
      <image:caption>In 2013 the Streets Alive Festival in Orillia, Ontario challenged artists to submit designs that would ultimately be made into giant seven foot tall letters. A lot of my personal work explores the idea of the Goddess and the Land. This seemed like an appropriate theme for my letter and in my proposal, I chose the letter "I." Sadly my design was not deemed worthy, possibly due to the nudity but for myself, the image came out as I envisioned it, with multiple images of the goddess and green dancing and evolving in spiritual celebration. The shoot could never have happened without the brilliant support and movement of my friend and model Rebecca.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53aa30e2e4b0cb8f6cc49c40/1404882376910-Q76ZQW337ACZJ3JL2NYB/TheManWith2Voices_Web.jpg</image:loc>
      <image:title>Self Expression - The Man With Two Voices</image:title>
      <image:caption>  The path lies before me, filled in, a foot deep from last night’s snowfall. Barely stifling an inward sigh, I guide my shovel into the first drift. I have escaped from inside the house, where conversation was reaching the danger point. You see I am the man of two voices. The outer voice that is always pleasant and quick with a laugh, Reasonable in the face of comments that strike me deeper than they show. But I have an inner voice too. The one with the courage to say what I should have said at the time, That takes refuge from others anger by using unspoken profanity, It rages at the passing of my father. In the bad times the inner voice gets uncovered, Rushes to escape, It overpowers the outer voice and Growing loud, Like a misunderstood tourist believing that comprehension follows volume, Demands to be understood. Frustration follows and I retreat Taking the simple path back Where unhappy and alone I become once again The man with two voices.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53aa30e2e4b0cb8f6cc49c40/1531522645558-7YDHH6OYZHV16K49TH3H/InSearchOfThePrinceOfPeace_Web.jpg</image:loc>
      <image:title>Self Expression - In Search of The Prince of Peace</image:title>
      <image:caption>So much hatred and intolerance in the world caused something inside me to snap. A recent examination of stained glass windows, particularly the Crucifixion, the ultimate expression of love, had me asking, "Where is The Prince of Peace when we need him most?" My answer lay in the consideration of people not as generalizations but as individuals with their own stories to tell. Knowing the one, brings a better understanding of others within their community. How can hate survive that? Look at these people. What stories come to life for you and do your feelings do you and them justice?</image:caption>
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      <image:title>Self Expression</image:title>
      <image:caption>IslBG</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53aa30e2e4b0cb8f6cc49c40/1404879868416-MFJ77P5OGG4ATDMMQVOU/Sunny_002_Web.jpg</image:loc>
      <image:title>Self Expression - 252 Images of Sunny</image:title>
      <image:caption>The very first photographic images of people to gain great popularity were Daguerreotypes, named for their inventor, Louis Daguerre. The photograph was not the reproducible paper print that we have come to know but a unique one off silver plate. In 1839, the insensitivity to light of the photographic medium meant that a portrait might take as long as twenty minutes, with the subject sitting absolutely still, possibly held in place with head and arm clamps. Imagine the relationship that would develop between sitter and photographer. You would be locked in the moment not for 1/60th of a second but twenty minutes. It would have to impact on the results beyond the physical to the psychological. Jump ahead to January 2004, when two robots named Opportunity and Spirit landed on Mars and began sending back images of our sister planet. How to send back such dazzling, sharp images from so far away? When a “prosumer” digital single lens reflex camera captures 12 megabyte files with ease, was it possible to send so much information such a great distance on a radio signal? No, but the solution lay in taking many photographs of tiny low resolution files, mere kilobytes, that could be sent back to Earth and stitched together to create a file of great detail. The technology used on the Mars rover is available to consumers today in the form of a robotic device that accepts a camera and executes a series of moves, firing the camera in a programmed sequence. The images may then be stitched together to make one very sharp image. It is important to understand that rather than one wide angle or panoramic single image, the photographer is creating a collection of many normal or telephoto images that then join to make a massive composite image of the same subject area. The device is called a Gigapan. Traditionally, Gigapan images are used for landscape photography, although some sporting events have also been covered by a Gigapan. Arguably the most famous Gigapan exposure is the inauguration of Barack Obama. An image  covering a two mile wide section may be zoomed in so that only the President’s head is in the frame and the image is sharp. It truly is astounding. I had been looking for new avenues of self expression. As a middle aged male and a parent of teenage daughters, I have been seeking answers to age old questions. Looking to my sixteen year old, Sunny got me thinking about how complex a person she really was.  Searching for her own answers, she is daily confronted by issues of self esteem, peer pressure, the tyranny of social media, the stress of looking for a job, growing pains and body image, grades and concerns about university or college placement, the environment and the world being left in her care. Is it any wonder that so many young people today suffer from such issues as depression and anxiety disorder? I decided to explore the portrait in a somewhat Hockney like way using the Gigapan to make a portrait. Although never intended for the purpose, it seemed to me the perfect solution. The result is 252 Unique Images of Sunny. Taking over fifteen minutes to shoot, each image was stitched together with software to create a single final image. Interestingly, in the same way that not all the emulsion would stick to the silver surface on a Daguerreotype, leaving blank areas, so too with the assembled portrait do we end up with incomplete sections. Note that looking closely, it is possible to find multiple images and blurred sections, hinting at the many characteristics of the her personality, that I have yet to be given permission to know about or come to understand. The eyes are sharp however as was deemed essential to the project. Astounding is the fine grain definition one perceives when one considers that each image was shot at ISO 6400. The final assembled file is one point two gigabytes, a massive amount of information that would normally result in a six foot wide print. The goal though was to honour the original Daguerreotypes produced on silver and as such the work is printed at a more modest four feet wide on aluminum using a modern process by Extreme Imaging.</image:caption>
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      <image:title>Self Expression - When Last I Held Your Hand</image:title>
      <image:caption>From my one man retrospective show, "Decisive Moments," held at the Orillia Museum of Art and History in 2008. This piece, "When Last I Held Your Hand," was purchased by OMAH for the permanent collection. The image was also awarded the People's Choice Award at ODAC's 2007 All Ontario Juried Show.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53aa30e2e4b0cb8f6cc49c40/1531522477462-4LS9PFFXGBH30M2UL8WK/InSearchOfThePrinceOfPeace_Web.jpg</image:loc>
      <image:title>Self Expression - In Search of The Prince of Peace</image:title>
      <image:caption>So much hatred and intolerance in the world caused something inside me to snap. A recent examination of stained glass windows, particularly the Crucifixion, the ultimate expression of love, had me asking, "Where is The Prince of Peace when we need him most?" My answer lay in the consideration of people not as generalizations but as individuals with their own stories to tell. Knowing the one, brings a better understanding of others within their community. How can hate survive that? Look at these people. What stories come to life for you and do your feelings do you and them justice?</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.stranks.com/editorial</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2023-01-28</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53aa30e2e4b0cb8f6cc49c40/1571849616109-RICLK7LGN8WZ1S5J0R77/Uncle+Gordie.jpg</image:loc>
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      <image:title>Editorial - The Lake</image:title>
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      <image:caption>The 2017 Community Awards winning image for Applied Arts Magazine. I made the image for the Wearable Arts Fashion Show, “Somniatis 2” as part of a fund raising campaign for the Orillia Museum of Art &amp; History (OMAH.) Stephen was transformed into The Tinman with four hours of painting by artist Xavier Fernandes.</image:caption>
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      <image:title>Editorial</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53aa30e2e4b0cb8f6cc49c40/1404874418475-CGANE0A59RBJ1H9X2GNN/TodaysParentCoverweb.jpg</image:loc>
      <image:title>Editorial - Today's Parent</image:title>
      <image:caption>I have photographed many covers for Today's Parent Magazine. They are less about photography really and all about a melding of talents; the stylist, hair &amp; make-up person, art director, assistant and largely, the child. This little girl was exceptional and really the most fun we've had to date. We had many favorite images and with great difficulty, chose this one that sparkled a little bit better than all the rest.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53aa30e2e4b0cb8f6cc49c40/1406175131749-UHL9NYW4WQB2MLG7ETDT/Toronto_Kates_Web.jpg</image:loc>
      <image:title>Editorial - Hey Diddle Diddle...</image:title>
      <image:caption>Another great rag to work for was Toronto Magazine, out of The Globe and Mail. For this cover, they had Joanne Kates review all the high end restaurants in Toronto to eat with your family, in other words, kid friendly. Once again, many talented people were on hand to make this happen. Joanne and her daughter wore beautiful masks created by our mask maker, the background was painted specifically to tie in with the wonderful propping and we composed the image very carefully, lit it and used just enough focus to lead your eye into the shot across all the tasty food.</image:caption>
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      <image:title>Editorial - Jane Mussett</image:title>
      <image:caption>Jane was one of the greats in the Toronto fashion scene and left us way too soon, a victim of cancer. She was smart, sassy, nobody's fool. The day I photographed her she was playful and willing to kick up her heels, showing us her great set of gams. She was a classy individual at work or play and she is missed. Shot for Flare Magazine</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53aa30e2e4b0cb8f6cc49c40/1405946228236-WCMAQ75GSJ9AL3LLMFL5/TodaysGrPrt_Ernie_Web.jpg</image:loc>
      <image:title>Editorial - Working With Mr. Dressup</image:title>
      <image:caption>I have had the honour of working with many celebrities but have to say one of my favourites and the one I was most excited to be with was Ernie Coombs, adored my so many Canadians as Mr. Dressup. He was warm, gracious and very modest. Despite the entire editorial teams clear adoration, he just was himself, the man we all grew up with. This cover launched a brand new concept in magazines at the time and was hoping to capitalize on a new demographic, grandparents and the aging of the baby boomers. Old hat now, it was innovative at the time and sadly did not last. For this first cover though, I had to really nail it, so the pressure was on. Ernie's granddaughter was not warming up to me during the shoot and I was clearly going down in flames. Recognizing this, Ernie whispered something in her ear at which point she gave me the most beautiful smiles and within a few rolls, we had the image. Much relieved, I thanked them all and quietly taking Ernie aside, I asked him what he said to help me out. Ernie chuckled and said that he asked her to think of what happens when they feed the dog cheese... she farts!</image:caption>
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      <image:title>Editorial - Noddy</image:title>
      <image:caption>A classic children's story brought to screen and featuring two of Canada's mainstays in the acting community, Jayne Eastwood and Sean McCann. I have worked with them many times in film but this was my first time for editorial. While many actors shy away from the still frame or see it as a necessary evil, these pros had fun with it and we made some great images</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53aa30e2e4b0cb8f6cc49c40/1405942096147-CQSCO0Q87I4ZF629IDVB/TOMagazine_Caveman_001.jpg</image:loc>
      <image:title>Editorial - You Always Remember Your First...</image:title>
      <image:caption>T.O. Magazine was a little gem that gave many emerging artists their start in the late eighties. This was largely due to Manuel Rodenkirchen, the creative director. He was opinionated, quirky, mercurial, funny, sentimental, talented and wonderful. He gave me my first editorial page, my first cover and taught me many valuable lessons in how to deal with clients that I use to this day. One of a kind, the magazine only lasted a few years but it was a springboard to other magazines, ad agencies and opportunities to play with ideas, lighting, and composition.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53aa30e2e4b0cb8f6cc49c40/1404874993908-GC9DKHGAZI55VQE85LTI/InsideCNTowerWeb.jpg</image:loc>
      <image:title>Editorial - Inside the CN Tower</image:title>
      <image:caption>On assignment for T.O. Magazine's "A Day In The Life of T.O." I found myself hanging over the edge of the biggest doughnut section of the C.N. Tower, photographing the man who looks after what was then the world's tallest building, inside and out. Using a fisheye lens to show from the top to the ground, I was held in place by my story editor grabbing firmly on to my belt. When finished, our man Ken ( I think ) suggested we shoot the inside too. "You mean it is hollow?" we asked in surprise. Sure he said and here is the proof for all of you to see. I found hanging in a basket taking this shot much more frightening than when I was outside. Being a manly man and Canadian, when leaving I asked if I could spit. Everyone asks that he said.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53aa30e2e4b0cb8f6cc49c40/1405945361506-COAOY4MG99GROIZR0NGN/CanadianFamilyCover_Web.jpg</image:loc>
      <image:title>Editorial - Canadian Family</image:title>
      <image:caption>Photographers are often asked to make an image based on another image that the art director has seen. I once was asked to make a cosmetic image look like a Clinique ad shot by Irving Penn! Obviously there is a fine line between influence and copyright. In this case however, the client asked me to shoot a cover when I was already shooting covers for Today's Parent Magazine. Today's Parent was a very loyal client and I did not want to lose them so I had to be sure that when I shot, I stuck to my style at the time without exactly reproducing what I did elsewhere. This was the result.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53aa30e2e4b0cb8f6cc49c40/1406179102829-G9JT4HP2HNARTHW0PLPM/CanRetailerMag_002.jpg</image:loc>
      <image:title>Editorial - Mokuba Ribbons</image:title>
      <image:caption>Can you imagine a store that only sells ribbon? Talk about a niche market. Mind you, Mokuba's store is incredible and if you need a ribbon, they have thousands to choose from. A very cool place on Queen West in Toronto and a fitting model for the cover of Canadian Retailer Magazine.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.stranks.com/advertising</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-03-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53aa30e2e4b0cb8f6cc49c40/1537843343726-4XE8OWMIVWANU0I6UUAZ/GlobalCitizenFestival_0267_2.jpg</image:loc>
      <image:title>Advertising</image:title>
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      <image:title>Advertising</image:title>
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      <image:title>Advertising</image:title>
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      <image:title>Advertising</image:title>
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      <image:title>Advertising</image:title>
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      <image:title>Advertising</image:title>
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      <image:title>Advertising</image:title>
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      <image:title>Advertising</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53aa30e2e4b0cb8f6cc49c40/1646252480923-FKIIIVCKX61BB23UZGV6/Irwin_Web.jpg</image:loc>
      <image:title>Advertising</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53aa30e2e4b0cb8f6cc49c40/1542671728257-ADD79O5E7JW9H3JTB75X/Royal+Bank+Reporter+Home+Spread.jpg</image:loc>
      <image:title>Advertising</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53aa30e2e4b0cb8f6cc49c40/1550799194668-FJO93DDEH8R4T0ICU7AO/Sharon.jpg</image:loc>
      <image:title>Advertising</image:title>
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      <image:title>Advertising</image:title>
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      <image:title>Advertising</image:title>
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      <image:title>Advertising</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53aa30e2e4b0cb8f6cc49c40/1537844372523-QJD1LA97U9IRP32H592S/CanadaDrugCouple_2.jpg</image:loc>
      <image:title>Advertising</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53aa30e2e4b0cb8f6cc49c40/1578096537715-8WIECPPI9VUUHPQ6KL6F/Enterprise_394_2.jpg</image:loc>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53aa30e2e4b0cb8f6cc49c40/1537846228086-QX6UUPLIII49Q2OWW586/Mom+and+sisters+in+pool_2.jpg</image:loc>
      <image:title>Advertising</image:title>
      <image:caption>IslBG</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53aa30e2e4b0cb8f6cc49c40/1537845835883-CYU4XIYHKEDF31Q2TRT7/DennisCoffee_2.jpg</image:loc>
      <image:title>Advertising</image:title>
      <image:caption>IslBG</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53aa30e2e4b0cb8f6cc49c40/1550799806297-5CG898N67Z21GY13R7GL/AmericanGothic.jpg</image:loc>
      <image:title>Advertising</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53aa30e2e4b0cb8f6cc49c40/1537845361782-QZ3R1URVJRRGP05JR6EI/Mona+Lisa_2.jpg</image:loc>
      <image:title>Advertising</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53aa30e2e4b0cb8f6cc49c40/1610305045250-EG3EE7KG48QAG3BD7KS8/Big+Sisters+Poster.jpg</image:loc>
      <image:title>Advertising</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53aa30e2e4b0cb8f6cc49c40/1539118091441-XGBDCTQKKB365NVH05WB/DonBrayCol.jpg</image:loc>
      <image:title>Advertising - Don Bray</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53aa30e2e4b0cb8f6cc49c40/1538362102750-ZYT97516WXBJUCR0T8J5/Ford+Strait+Jacket.jpg</image:loc>
      <image:title>Advertising</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53aa30e2e4b0cb8f6cc49c40/1538362114169-T8ZTYSIUI1XMP709SQGE/Zellars+Family.jpg</image:loc>
      <image:title>Advertising</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53aa30e2e4b0cb8f6cc49c40/1406160075614-IPWIYAMB63TGXGOQLKH0/GigglesBits_Web.jpg</image:loc>
      <image:title>Advertising - Giggles &amp; Bites</image:title>
      <image:caption>I love this piece for a couple of reasons. First, while you might think it was shot at eye level with the little girl, it was actual made from a bird's eye view overhead while she was lying on a white seamless. Why? It was the simplest way to ensure that a two year old would hold the package in the perfect position. I also love that the model is my niece Emma. When you really need the shot, you can always count on family.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53aa30e2e4b0cb8f6cc49c40/1587091111468-IRXR15OO7N3WWLE2IS9Y/Karir+Eiffel+Tower_001.jpg</image:loc>
      <image:title>Advertising</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53aa30e2e4b0cb8f6cc49c40/1542668678908-MWW7GR0237OSLHHZH8JO/Karir_Web.jpg</image:loc>
      <image:title>Advertising</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53aa30e2e4b0cb8f6cc49c40/1543278668461-OB8QFKQ0N94T0NH6EL0Z/1stCdn.jpg</image:loc>
      <image:title>Advertising</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53aa30e2e4b0cb8f6cc49c40/1406173417188-TC3UQTTZZRV1GK4SWAWL/Vintages_BothCovers_Web.jpg</image:loc>
      <image:title>Advertising - Vintages</image:title>
      <image:caption>One of my favourite gigs was working with Creative Director Karen Lim on LCBO's Vintages Classics Catalog. Karen was massively supportive of my work and allowed me to really push the envelope of what a conservative client would accept. In this case, I would go into the studio, always after midnight and start running Tri-X 120 film through the 'Blad. I would tape the focus down on minimum and move back and forth until it felt right. I would keep shooting and eventually feel the Muse come in; the images would be great for a few frames and then she would leave again. Sometimes, as in the image at the right, only the smallest thing would be sharp, in this case the foil covering the cork. Eventually I had to pull back a bit, which is why the later image on the left is more clear as to subject. I would print full frame on black and white fiber paper and Karen would use all the image wrapped around to produce the front and back covers you see here.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53aa30e2e4b0cb8f6cc49c40/1542667832709-PYABYGR6SDFUYKA8SKV0/To+Boot.jpg</image:loc>
      <image:title>Advertising</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53aa30e2e4b0cb8f6cc49c40/1406230807969-S4Z2J0UK7YLG8IBRYZBY/HoltsFragrance_Web.jpg</image:loc>
      <image:title>Advertising</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53aa30e2e4b0cb8f6cc49c40/1406158846065-VNHHY3JZDJWCR5F0JC3S/RCITravel_Web.jpg</image:loc>
      <image:title>Advertising - RCI Travel</image:title>
      <image:caption>Travel brochures do not always have to use images of landscapes shot in exotic locations. RCI Travel hired me often to shoot covers for their travel brochure and we would shoot still life. In this case I arranged stamps and coins on a large piece of glass and placed a world map underneath it at an appropriate distance so that with the depth of field it would appear as an interesting abstract texture with just a hint of the familiar.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53aa30e2e4b0cb8f6cc49c40/1405963647893-MJVXMY7NZDNZL7XD8O60/Arrow_Web.jpg</image:loc>
      <image:title>Advertising - Arrow Golf Apparel</image:title>
      <image:caption>I am generally known as a people shooter, so it may come as a surprise that I have shot a lot of still life as well, albeit in my own quirky way. I like things that danced or looked alive despite being non human. To help with that required like minded individuals, in this case the brilliant designer Scott Purdy of Gravity Design and the off figure stylist Kay Fujiwara. Kay was a very merry soul who often styled clothing with a chop stick and and loved when I played Louis Armstrong. When I worked with Kay, she was well into her seventies but that was irrelevant. She was an artist and that is immune to ageism.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53aa30e2e4b0cb8f6cc49c40/1610304976474-SHBD4K8MUANX9NN3K0OT/Eatons+Gift+Registry+2+Up_Web.jpg</image:loc>
      <image:title>Advertising</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53aa30e2e4b0cb8f6cc49c40/1406209098516-EFC5GPUWZFD4A23WVYDD/EatonsToys_Web.jpg</image:loc>
      <image:title>Advertising - Playing With Toys</image:title>
      <image:caption>I did a lot of photography for Eaton's, at the time one of Canada's best department stores. Although I am not a catalog shooter, the opportunity to shoot the Christmas Toy Book came and I jumped on it. It was so much fun! I had to rent a storage unit to hold all the toys as my studio couldn't hold them all and I shared photography with my best friend and studio partner Geoffrey Ross. When not shooting, we were helping my assistant Cara assemble toys, arguably one of the most challenging aspects of the job. I photographed kids playing with the toys and we did our fair share of that to, which helped put context into how we would prop the toys and set them up. In this, the cover image, we wanted to show the Barbi house under the tree in the kind of magical glow that one would see as a young child happening upon it in the wee hours. Kudos to stylist Carolyn Souch for drumming up a Christmas tree in July.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.stranks.com/gallery</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2019-03-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53aa30e2e4b0cb8f6cc49c40/1646251733606-5N6M3A580UNNNCY66ALA/Stranks_homepage_desktop.jpg</image:loc>
      <image:title>Home</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53aa30e2e4b0cb8f6cc49c40/1403756773844-JLHS055OFI88A5JWFQZS/TheBakersGroupweb.jpg</image:loc>
      <image:title>Home</image:title>
      <image:caption>"Stranks takes image making to the highest art of story telling." Peter Stranks has been capturing slices of life for over twenty years. Often quirky, always humanistic but never boring, Stranks shoots with passion, insight and humour to bring vivid stories to mind. Steve Martin, author, actor  and comedian has said, "  Dear Peter, Your work on Cheaper by the Dozen 2 has been amazing. Such beautiful photographs! Thanks so much for your great work. " Stranks is equally at home photographing people on location as in the studio; your imagination is challenged to look at his subjects with new eyes, a little wonder and to celebrate his optimistic way of telling stories that we see before us every day. Please contact Peter Stranks directly at 416 543 4093.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.stranks.com/fashion-beauty</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2023-01-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53aa30e2e4b0cb8f6cc49c40/1675204759002-ODR5GXWKMAK5Y6EJJ182/SadieStranks_0322_Website.jpg</image:loc>
      <image:title>Fashion &amp; Beauty</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53aa30e2e4b0cb8f6cc49c40/1675204976560-4GNL2IY64RB0827TCYE1/Chyler_Warrior_Web.jpg</image:loc>
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      <image:title>Fashion &amp; Beauty</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53aa30e2e4b0cb8f6cc49c40/1646252976230-C3OHB549WXQTWIZKLTSC/JordanGavaris_TheLake_0004_Web.jpg</image:loc>
      <image:title>Fashion &amp; Beauty - The Lake</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53aa30e2e4b0cb8f6cc49c40/1578111715913-Y4O7IH951SGLN2S2AT6Q/EveryDay_Day22_PStranks_08190.jpg</image:loc>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53aa30e2e4b0cb8f6cc49c40/1644444939087-1MJYSLZATDJ0L6495IDO/Nutcracker_0241+1.jpg</image:loc>
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